new simplicity? international furniture design conference the future of design in an increasingly complex world 27/29 August, Helsinki Finland a natural approach to industrial design: Argenic Design Celestino Soddu professor of industrial design at Milan Polytechnic, Italy email celestino.soddu@polimi.it Enrica Colabella professor of environmental design at Milan Polytechnic, Italy email enrica.colabella@polimi.it Internet WEB: http://soddu2.dst.polimi.it |
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C.Soddu, E.Colabella - a natural approach to industrial design: Argenic Design |
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Before the industrial era every object was unique, unrepeatable and strongly connected to the identity of its maker or user |
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unique and unrepeteable like natural objects |
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C.Soddu, E.Colabella - a natural approach to industrial design: Argenic Design |
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In the two centuries of the Industrial Era by now at a close objects were produced using the mass-production line as undistinguishable multiples. |
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This approach was based on presuppositions that today have lost their force and are no longer respondent to the potentiality and expectations of man of XXI century: |
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1. Identical
mass-produced objects
cost less than unique individually produced objects. 2. The optimization of function leads necessarily to a "unique" design result. 3. The quality of a design idea is the final result |
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These 3 approaches are now obsolete |
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1. Identical mass-produced objects cost less than unique individually produced objects is no longer true |
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Digital manifacturing technology allows us to realize at the same operational cost unique objects or repeated objects |
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The cost differential belongs to the commands to the reprogramming action that we must perform in the robot, in definitive to the design work |
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C.Soddu, E.Colabella - a natural approach to industrial design: Argenic Design |
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the challange |
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If design is an operative metaproject it can generate the design results as unexpected different scenarios formalizing them as reprogramming actions, in real time, of the digital control machines, of the robots the additional cost, if it exists, belongs only to the design operation. |
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C.Soddu, E.Colabella - a natural approach to industrial design: Argenic Design |
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The optimization of function leads necessarily to a "unique" design result is not true |
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The mith of the optimization of a product has been debunked. We cannot identify a given design result as "necessary" once we have discovered the role of the subjectivity in designers and customers. The production of identical multiples is an impoverishment, without benefits of one of the final qualities of the object: the UNIQUENESS. |
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new simplicity? - Helsinki 27/29 August 1997 |
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C.Soddu, E.Colabella - a natural approach to industrial design: Argenic Design |
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the challange |
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to rediscover the possibility of linking the object to to different human individuals, and to their diversified exigencies to rediscover a fundamental function of the object: the capability of increasing the identity and the uniqueness of each human individual. |
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C.Soddu, E.Colabella - a natural approach to industrial design: Argenic Design |
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The quality of a project is not deducible from the final single result |
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it is not emulable by a computer: the IDEA |
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as subjective construction of a hierarchy of possible relations and interferences within an object an idea is not the fruit of inductive or inferential processes, but of adduction, that is of the interpretative processes which define human subjectivity |
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it is emulable by a computer: the PROCESS of BUILDING single possible OBJECTS |
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because this process is an inferential synthesis, like the consolidate procedure of Artificial Intelligence |
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C.Soddu, E.Colabella - a natural approach to industrial design: Argenic Design |
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the challange |
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once the IDEA is conceived the idea could be explicated and communicated in two ways: 1. with a series of projects (as till today we normally do) 2. with a subjective operative metaproject |
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A subjective operative metaproject is a computer program utilizing artificial intelligence to explicate the idea capable of emulating electronically the processes of building scenarios and of managing these scenarios in the manufacturing sequence. This is what is meant by Argenic Design the increasingly complex generative design of new naturality and simplicity |
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new simplicity? - Helsinki 27/29 August 1997 |
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C.Soddu, E.Colabella - a natural approach to industrial design: Argenic Design |
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The example: an Argenic Design of a series of chairs. The achieved goals are: 1. The idea is recognizable notwithstanding the differences among the individual chairs. 2. The Argenic design has not been realized through a data base compilation: we have not used, in the code, a sequence of pre-defined shapes but a series of generative procedures. 3. The logic that guides to the codes of generation and control is an emulation of the subjective procedures that we, as designers, normally use. We have represented and used this logic in a fractal way, from the overall form to the detail, so as to produce chairs that are identifiable in terms of the idea and design logic that we have adopted, but with the impossibility to foresee the final form. 4. The system emulates normal procedures of chairs design. These procedures are activated by codes that emulate the evolution of design as dynamic chaotic system, therefore a system highly sensitive to the starting data. 5. Each chair is unrepeatable, as in all scenarios produced by dynamic chaotic systems. So we can reach the uniqueness that is one of the objectives of an Argenic Design. |
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